BANDS AND A BIT OF THE DOORS IN SAN FRANCISCO IN THE 60'S
San Francisco in the 60's was a vortex of mainly cool change, people's
attitudes shifted, and people began to think outside of the box.
Activism came back to life and proved once again that people united as a
force you can't ignore or deny.
The Doors was a band with songs and lyrics of parables and others that found its way into the record charts.
An excellent band by all means and fronted by the charismatic erotic,
magnetic lead singer, Jim Morrison, whose skin-tight leather pants; and
pushing the envelope on live performances were building blocks to become
one of the icons in that period.
The first live footage of the Doors was at a concert that we had heard
about and it was on a handbill and, the irony was, they seemed to have
been passed out at Ghirardelli Square as a last minute thing. Being a
hangout at times was how we heard of the concert, and sometimes a go and
sometimes not, depending on other events or "I forgot".
The irony was we must not have given a good look at the handbill as we
only noticed the Stone Poneys, and at the bottom were the Doors...now in
defense of a cursory-look we were given a lot of handbills. Some we
shoved in our pockets and some we threw away, sometimes remembered or
were many times reminded or told as the news of the day.
There were many venues in that time period around 1965...the matrix was
a smaller venue (300 capacity but many times much, much more) but did
have some classic bands...considered the first folk club and was in the
marina area and it showcased the new band "the Jefferson Airplane"...the
biggest deal were Beatles at the Cow Palace...the Stones, the Byrds,
Beau Brummels and Paul Revere and the Raiders. Which was why I had seen
them at the Ghirardelli Square and when I decided I would have long
hair, making that the one venue I never attended, the Cow Palace...not
sure why, just never did. The Family Dog Collective, which were four
people and the family dog name came from friends' recently deceased dog,
and they lived together in a communal house on Pine Street of which,
eventually opened the Avalon Ballroom with major venues besides the
Fillmore auditorium…used longshoreman hall at Fisherman's Wharf. Other
local bands at that time were the Charlatans, Country Joe and the Fish,
the Great Society, then soon Santana, Grateful Dead, Big Brother and the
Holding Company, Quicksilver Messenger Service, Beautiful Day, and many
others.
At that time, San Francisco allowed dancing in hotel ballrooms, then
tried to stop dancing but a positive article from Ralph Gleason in the
San Francisco Chronicle and the Jefferson Airplane telling the audience
to come on and get up and dance. This was the many variations of
psychedelic dance form, but most coolly it made bands more than just
listening to a garage band. By dancing, there was a new connection to
music and singers and the band. Dancing became part of the experience at
a concert. There were many forms of psychedelic dance-much free-form
its own form of ballet as it was not only creative and cool but in its
way a freeing of the soul..
The Warlocks became the Grateful Dead at a concert at the Fillmore
(about the first) for the San Francisco mime troupe-added to the
bill-Jefferson Airplane-John Handy quintet and others. This was the
birth of dance concert venues in San Francisco. There were anti-Vietnam
organizations beginning to form and be heard, and it was heard at times
at concerts from people inside, speakers, band members even venue
sponsors. Activism was now in the air, civil rights, the Vietnam War,
the drudgery of straight persons world, there was an awakening and a
revolution that was not going away. This is part and parcel of the whole
scene and is still part of us today.
In 1966 concerts became part of our lifeblood and was an awareness that
somethin' but innovative- is happening here. There were peace marches,
Black Panther rallies, anti-draft and Vietnam movements-helping children
centers-it all was a life of its own.
The Fillmore hosted a few joint concerts with the Family Dog, Andy
Warhol... the Velvet Underground and Nice and Frank Zappa and the
Mothers. The bills presented were beyond belief in those years and too,
rock and roll icons were born…Blues Masters played, R&B legends
performed it was a heyday in music too. Lenny Bruce and the Mothers of
invention at the Fillmore. Poets of the day performed and read at the
Fillmore. The Temptations, Ken Kesey (One Flew Over the Cuckoo's Nest)
and his merry pranksters. Percy Sledge, Allen Ginsberg, the Yardbirds,
Otis Redding, and the list goes on...but you had support for activism
and the community. There were concerts for peach-for the united farm
workers-student non-violent coordinating committee, SNCC-benefit for the
legalization of marijuana-angry arts Vietnam mobilization-and community
help concerts too.
The Avalon Ballroom opened and there was an old fire station used for
concerts. An alternative newspaper, the Guardian, small but out of the
mainstream. The Beatles played at Candlestick Park and the Beach Boys at
the Cow Palace. Three day concerts were happening once in a while like
the "three day trips festival at the Longshoremen Hall. The Acid Test at
San Francisco State Commons.
There was the "Peace March" down Market Street in downtown San
Francisco, and large numerous others around the day consistently.
Truly the melting pot was the Haight Ashbury, at the least, the mecca.
You had the panhandle on the way to Golden Gate Park. And yes, people
panhandledand some just gave you a flower and a smile, it was not a
judgement call if you panhandled, in it's own way an awareness of for
some, what it was like to have nothing and lose the conventional
concepts that were imbued into them as they grew up.There were concerts
or people playing conga drums and flutes, guitars, banjos,cymbals, or
whatever the instrument…people just grooving and kicking back...or in
deep conversation...some tripping, some smoking...truly an air of peace
and friendliness. Probably the coolest thing was the unity, people were
just people, a perfect example of how many have strayed off a positive
path. The three or four story houses, mainly Victorian style, on each
side of the panhandle were communal where not all people would have an
area for a sleeping bag or a mat-bed. In some there were several to a
room. There was a restroom and a communal kitchen, and some paid and
some were crash pads as an answer to the flow of people. Mainly based on
the honor system and split of some house duties. It was like a hostel
of sorts. Single people and many times families with kids were the
anchor of the house. The decor varied, but was stunning at times from
florescent colors to soft gypsy-like with scarfs and unique materials
covering the room with cool light sources from subdued light to merely
candles. Incense was often the case and yes patchouli oil was about and
it was never subtle. Incense was two-fold and scented the room to quell
any pot smoke or smell. So commune living did work for some. Some shared
a flat and were more private.
As expected, most homes were two or three story walk up each floor
usually lacked a kitchen and many were set up that way. The other route
was to have a hot plate with, although limited, did the job. Microwave
ovens we a thing of the future so not yet an option.
You could go through the Haight and people would offer you food or
drink they were eating/drinking, some just did that out of kindness.
People from all walks of life and from the world over were found
visiting or coming to stay in San Francisco or the Haight itself, which
opened all walks of life's eyes to the huge universe we live in and that
there is a commonality to all, as opposed to a xenophobia for all.
Much critical thought and calm debates, although usually along the same
thought lines, anti-draft, anti-war, anti-establishment,
anti-discrimination, anti-social "norms", many marches and rallies that
did work there was rebellion on all levels. The Vietnam War and all that
went with it, drafts-the war machine-and even in what was considered to
be the way your life was set in a square stone, incapable of any
movement beyond a scope so small as to be stifling. . The square life
mostly was expected of you by established "norms". There were civil
rights' marches and rallies, the Black Panthers and the acceptance of
racism by elders was rejected by the youth. More enlightened people,
Martin Luther King, and the freedom marches and rallies, and the
emergence of now not just black rallies but among many races and
religions. The unacceptable violence and segregation was not going to
just "be the way it is" activism was becoming a real force and there
were many detractors, but people carried on and there was change.
The Avalon Ballroom and Fillmore Auditorium were the main venues
people, the locals, and needless to say, me, Bart and friends went to.
There was Winterland, a Fillmore venture.
The Doors began playing at both the Fillmore and Avalon Ballroom in
1967 and after years of playing, mainly clubs like London Fog and events
in L.A. The Doors were also the house band at Whiskey a-Go-Go…and
ironically were fired. The Doors had an invite to play in New York once.
It seemed in 1967, it was also their years to come into the limelight
from Ed Sullivan to the New Haven Connecticut concert for public
indecency and obscenity arrest.
That being said, going to concerts happened frequently...from free ones
that went on here and there...if I was helping with the puppet show at
least Friday, Saturday and Sunday(if opened)...if not, that was a day
when free concerts happened too. Tuesday night jams, special fundraisers
or rallies could make it a week of concerts, which was a way of life at
that time.
One night at the Fillmore, as I made the preverbal rounds and saw a few
friends or mainly acquaintances (other concert goers whom you may not
recognize outside of the concert as this was where you put on that lace
dress you found and the make-up to the 9's or that satin shirt) and now
this wasn't the first time I was at a concert where the Doors ("Light My
Fire" was just making the charts) were but at that time an outside
concert and there were so many bands it was fantasy fair and
socializing. Looking around, which those from L.A., a concept after
renaissance pleasure faire many said Topanga Canyon just moved to the
fair, and it was a fundraiser for Hunters Point Child Center, which was
behind Potrero Hill where most of my old school friends came from. It
was two bucks to get in. It seems we don't have fundraisers focused on
local bands for the causes that were well needed to be addressed. We've
lost that to a degree and seems more involved in making money for
themselves and the line of hands out from the companies. It was a two
day event. We made the first day here and few of the bands of the day
were there (with my road dog, Bart) (some didn't make it to the event)
the Sparrow (to eventually become Steppenwolf) Dionne Warwick, Canned
Heat, the Doors, Jim Kweskin Band and others. The next day, Jefferson
Airplane, the Byrds with Hugh Masekela, the Seeds, the Grassroots, Steve
Miller Band, the 5th Dimension, Country Joe and the Fish. This concert
was the rule of the day with no violence and the real unity was that
people cleaned up as they left and just a cool concert. This was put on
by a local radio station and imagine $2.00 for entry to a concert.
I digress, at the Fillmore, the Doors were coming on, and Jim Morrison
was always the focal point of the Doors and "Light My Fire." The doors
played often, Jim in leather or snakeskin pants and then the music.
After years of doing clubs and local events mainly in L.A, all knew at
this point, unless you were completely out of it, the Doors were about
to take the stage...you heard a key or two on the keyboard
...anticipation was there...a tuning on the guitar...and less than more,
Bill Graham came on stage afterwards...to applaud a band and make a
comment or two, then lights came on the stage and there were the Doors
with Jim Morrison up front in skin-tight black leather pants. He had
that magnetism some entertainers have...women would just stare and the
crowd would wait in anticipation of the first song. Jim gripped the
mike...one of the legends of rock and roll gave a performance you would
never forget!
]]

THE DOOR ADUDIONING AT THE WHISKEY A GO-GO IN 1966